
From, The Light of the Mind
She had been shot once in the front and once in the back of the head. She was wandering, trying to find someone to remove the slugs from her skull. She was not dead yet, but she feared she was dying. The holes in her head were perfectly round and bloodless, with burnt-flared edges, two eclipses. The passage of air through the holes felt peculiar, just dimly painful, like chewing hot or cold food on a cavity, the sensation of space where it had once been dense and full.
Sunlight shot around the circumference of each black rind, so that a long shaft of pale light cast out from the center of her forehead, and another shaft streamed behind her.
Is this the light of the mind? Is this the light of my mind?
So I was a genius after all! The thought made her smile, but then she wondered, Why had the light always been invisible? I must have been squandering it, I must have felt only its vaguest rotations. Now what can I do with it? If I could find a lampshade, someone could read by it. I might illuminate entire rooms, entire dungeons, I shine so bright.
But in fact she was losing the light; it leaked everywhere, unstoppable.
-Maggie NelsonWhen my mom was in the hospital, she received regular visits from a Unitarian champlain named Michael. One day, only weeks before her death, Michael couldn't come, and a rabbinical student named Deborah showed up in my mom's room asking if she would like to talk. "No thanks," my mom said, "I'm an atheist." They got to talking anyway, just making small talk, and eventually about spirituality. I showed up later that day, surprised to see this stranger when I walked in. My mom introduced us, exclaiming, "This is my new friend Deborah!"
The morning that she fell into the coma that would lead to her death, Deborah took me for a walk in the garden next to UCLA. She told me that my mom was one of the most spiritual people she had ever met, and she was so impressed with this balance of being so strongly in touch with her spiritual side and being so logical and inquisitive about everything at the same time. She not only actively asked the practical questions of why she got sick (in terms of her health or what was going on in the environment), but she sought the spiritual answers too. Deborah told me, "Your mom never asked 'Why?' in the vague, panicked and frustrated tone most people do. She would ask specific questions, squint her eyes and talk through it. And she never denied the emotions that came along with the curiosity. She just managed a balance, emotional, but with grace, somehow. I strive for this grace.
I first read Maggie Nelson's books about a year ago. Micah Perks recommended them to me when I was trying to write about my mom at the end of 2007. I love her work because of this balance. "The Red Parts," is about the brutal murder of Nelson's aunt which took place years before she was born. The book is like a true crime novel for the literary feminist. Nelson makes the distinction between how we deal with death in private, versus how some are forced to do it in public. Nelson grew up often being mistaken to be her deceased aunt by her grandfather and she explores how this act of violence trickled down over the years affect to her and her sister. The books are all about GRIEF and WOMEN and how weird and hard it is to WRITE about that stuff...you know, all of those things that I can't stop thinking about these days.
Sorry about the disjointed feel to this. I started writing this post weeks ago, and I'm only finishing now because I'm having a rough night, and I think that finishing something will make me feel better. Going to go knit now.